PP 175th Anniversary Part III – The Rare Handcrafts

Oct 17, 2014,14:31 PM
 



Is there a better way to mark an important date than with exceptional timepieces made by scarce specialists?

So far we almost only have seen and talked about the “regular” Anniversary collection, but when it comes to Patek Philippe there is always more to expect. More than what we are used in a time quite often dedicated to “mass-production luxury” and superior marketing. I am talking about rare handcrafts on top of haute horlogerie, those crafts which Geneva is or must I say was known for.

 

For now I decided to share (mainly) press text and press pictures, because even when I tried to shoot more I failed so far. At the big event I attended it was just too crowded to cover it appropriate – good or bad.

 

Let me start with the official press release :

 

Patek Philippe Geneva

 

October 2014

 

Rare Handcrafts limited editions commemorating the 175 th anniversary

 

A homage to Geneva and its artisanal legacy

 

 

Patek Philippe's alliance with Geneva was forged 175 years ago, but watchmaking has been intimately associated with decorative arts for over 400 years. During the turbulences of history, many artisans with rare skills found a haven in cosmopolitan Geneva and, working hand in hand with watchmakers, won global acclaim. Patek Philippe consistently placed great emphasis on creating a stage for highly specialized forms of craftsmanship such as engraving, guilloching, enameling (cloisonné, champlevé, miniature painting, flinqué, plique-à-jour), marquetry, the jeweler's arts, skeletonizing, and related techniques by giving them prominence on the cases, bracelets, and dials of its most precious timepieces. This remained a focus even in the period from 1950 to the end of the 20th century, when the demand for lavishly decorated watches dwindled.

 

In the 1940s, after having acquired Patek Philippe, the Stern family also began to collect the finest examples of these handcrafts as witnesses of the pinnacle of ornamental artistry. The private Patek Philippe Museum was inaugurated in 2001 to give the public access to these showpieces alongside the largest known collection of portable timekeeping instruments dating back to the 16th century.

Philippe Stern, the manufacture's honorary president, and his son and current president Thierry Stern, were always aware of the fact that the artisanal skills needed to craft such sublime creations would not survive in a museum alone. They need to be practiced every day, refined, and handed down from one generation to the next. Despite the entrepreneurial risks that were involved, a considerable effort was invested to reawaken the interest of enthusiasts in traditional Genevan handcrafts. As a result, the demand for timepieces with exquisite decorations rebounded. The manufacture was able to recruit the last true masters of these arts and persuade them to share their know-how with up-and-coming craftspeople. Thus, precious knowledge has been saved from extinction at least for the next few years. In the meantime, the desirability of rare handcrafts watches has grown to such an extent that their buyers must exercise just as much patience as the artists who perseveringly adorn them by hand.

 

To commemorate this year's 175th anniversary celebrations, Patek Philippe is presenting a number of limited-edition Rare Handcrafts models that salute these incomparable artisanal skills. And no motif could be more appropriate than the city of Geneva with its landmarks, its citizens, and its harbor. This is where Antoine Norbert de Patek was given a warm welcome in 1835. Four years later, he established the manufacture that was renamed Patek, Philippe & Cie. when the ingenious French watchmaker Jean-Adrien Philippe joined the company in 1851. Since then, the company has remained loyal to the city of Geneva and still owns the original lake-view headquarters on Rue du Rhône to which it moved in 1853. Incidentally, for many years, honorary president Philippe Stern was a respected regatta skipper on Lac Léman, as Genevans call their lake. In turn, it is famous for its traditional lateen-rigged sailboats and for the Bol d'Or Regatta, one of Europe's foremost inland sailing competitions. Now, such motifs adorn a collection of forty unique or strictly limited-edition models featuring eclectic handcraft techniques to memorialize Patek Philippe's 175th anniversary.

 

 

Forty sublime works of art

 

Years ahead of its 175th anniversary, Patek Philippe spared no effort to find and enlist the best specialists to convert forty commemorative timepieces into true paragons of artisanal and horological artistry: twenty wristwatches as well as twenty Dome table clocks and pocket watches with their respective holders. They all pay tribute to the different enameling, engraving, marquetry, guilloching, and gem-setting techniques, individually and in combinations.

 

Engraving

 

Burins, needles, chisels, and other sharp metal blades with wooden handles are among the tools used for engraving, the probably oldest technique with which timepieces have been embellished for hundreds of years. In the hands of an expert, engraving transforms the case of a pocket watch into a work of art with vivid contours and graceful reliefs that come alive as the light caresses them. The most commonplace techniques are line engraving, the somewhat deeper low-relief, and the prominently sculpted relief engraving. Nearly two hundred engravers were registered in Geneva alone in 1789; meanwhile, their ranks have dwindled to perhaps a dozen.

 

 

Enameling

 

The term encompasses a broad spectrum of traditional techniques that to this very day are used to adorn select Patek Philippe timepieces. The most complex one is miniature painting on enamel, a world-famous Genevan specialty. Often, it involves reducing large paintings to the format of a watch with extreme fidelity. Executed with ultra-fine brushes, the process takes months and includes the application of countless translucent enamel coats as well as numerous firing passes. Cloisonné enameling results in luminous and colorful decorations of an intensity resembling that of the richest stained glass. The motif elements are shaped with flat gold wire in thicknesses of 0.05 to 0.10 mm. The compartments thus created are filled with enamel paints and fired in an oven. In champlevé enamel, the form elements for a motif are engraved into the metal; the recesses are filled with an enamel compound and fired at over 800°C. Another tradition pursued by Patek Philippe is called flinqué. This refers to a translucent enamel applied to a guilloched or engraved metal surface to create scintillating sunburst or undulated patterns. The fifth technique, called plique-à-jour, is reminiscent of colorful stained glass windows in churches. For this purpose, the metal is selectively pierced. The pierced portions are filled with an enamel compound and then fired. Patek Philippe also nurtures the art of paillonné enameling, with which tiny gold- or silver-leaf spangles called paillons are embedded in the enamel. The shapes of the spangles are punched out of ultra-thin beaten silver and gold sheets with steel cutters and applied to a usually darker layer of enamel. Then, they are covered with a layer of highly transparent fondant enamel, which amplifies the sparkle of the sequin-like objects and protects them – in the case of silver against oxidation, for example.

 

 

Grisaille

 

The grisaille technique inspired by the Limoges school of enamelers has its roots in the Renaissance era and today is one of the rarest decorative art forms. A cross between painting and line drawing, it could also be referred to as ‘monochrome drawing with a brush’. The grisaille artist creates a motif in so-called Limoges white on a dark, typically black enamel background. Extremely fine brushes or even needles are used to create structures in hairline dimensions. Depending on the complexity of the art, the blanc de Limoges is applied in three or four, but sometimes eight and more thin layers, creating very subtle monochrome gradations from black via gray to white.

 

 

Guilloching

 

Guilloching is a mechanical variant of engraving used to create regular patterns such as line grids, waves, intersecting circles, and other ornamental designs. The guilloching machine resembles a lathe. It has a multi-cam-controlled workpiece headstock that rotates and reciprocates to produce the guilloché patterns. The decoration is created by a chisel point which cuts into the workpiece during these motion sequences. Patek Philippe still operates an in-house guilloching department with machines that are over one hundred years old. Because they are superbly maintained, they continue to produce manual guillochés of immaculate quality.

 

 

Wood marquetry

 

The result of this artisanal craft might be referred to as a wood mosaic that is frequently accentuated with precious metal inlays. To create richly detailed motifs for watch dials, the individual parts must be very small. Master marquetarians work with extremely thin veneers and can choose from over 120 wood species with different colors and textures. The often tiny pieces are cut out of the veneer with a high-precision fretsaw and then assembled to form a complete image in a very time-consuming process. It can easily take an entire month to produce a marquetry dial.

 

Haute Joaillerie

 

The expertise of the jeweler encompasses elaborate gem-setting techniques that are consummately mastered at Patek Philippe. The unique pieces created in the Genevan ateliers unite all the major setting methods for precious stones such as bead, gridless pavé, and closed, as well as the extremely sophisticated invisible setting, which is considered to be the pinnacle of the jeweler's craft and entrusted only to the most accomplished specialists. The directives of the Patek Philippe Seal require that precious stones must be set exclusively according to the highest jewelry-making standards.


(End of Press Release)

 

World Time Geneva Harbour

 

Wristwatches with dial center in Cloisonné Enamel, Refs. 5131/175 and 7131/175









Plus one live picture from a fellow Purist (ch9698).





5089 Lake Geneva Barques

 

Set of four Calatrava wristwatches with dial in Cloisonné Enamel























5089 Breeze and Storm

 

Set of four Calatrava wristwatches with hand-engraved dials






















5089 Lakeside Scenes

 

Set of four Calatrava wristwatches with Wood Marquetry dials






















992/152 View of Geneva

 

Pocket watch with hand-engraved case back














982/174 An Outing on the Lake

 

Pocket watch with miniature painting on Enamel case back













982/179 Lateen Sails

 

Pocket watch with Marquetry case back and hand-engraving














That´s all for now, but I will come back to them with personal thoughts and (hopefully some) live pictures.

 

Oliver


This message has been edited by small-luxury-world on 2014-10-17 14:32:00


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Comments: view entire thread

 

The 5089 Breeze and Storm is sublime! Now we are talking.

 
 By: amanico : October 17th, 2014-14:41
My favourite from the 175th Anniversary. Now, that is something different, elegant, refined, and coherent. Well done! Best, Nicolas

Amen

 
 By: 4Js : October 17th, 2014-19:13

Funny, it is a matter of taste because I don't like this kind of dial...

 
 By: foversta : October 18th, 2014-00:56
I much prefer the enamel ones... The good point is that the themes of these watches are less ridiculous than usual. But you can't prevent me thinking that they still look like themes for the French Post Calendar. Fx

Very, very impressive...

 
 By: tempus : October 17th, 2014-14:44
Stunning and very impressed by the skills of the employees of Patek. Thx for the report!

I'm usually not a fan of Metiers d'Arts watches, but

 
 By: Mark in Paris : October 17th, 2014-16:12
those 5089 are making me dream. I wish I'll be able to see one or two one day. Cheers, Mark

These watchers are pure logic...

 
 By: foversta : October 18th, 2014-00:49
I remember a discussion with Thierry Stern... Patek is clearly attacking now Vacheron Constantin on the Métiers d'Art field. Patek has the feeling to have given them too much space. Thanks Oliver. Fx

FX, thanks and I like that kind of logic.

 
 By: small-luxury-world : October 19th, 2014-13:12
From my point of view PP was to "shy/silent" of those crafts for too long - even when there are dedicated books about rare handcrafts from PP. They just did it, even when there was almost no real market. Maybe except from some very few pieces in the colle... 

I think the 4 enamel dials look the best..............

 
 By: TonyR : October 18th, 2014-07:16
Im not a fan of the engraved pieces at all. That may have looked nice on the caseback with more of a traditional dial. Thanks for sharing! Tony

Great report Oliver and many thanks !!

 
 By: GLau : October 18th, 2014-07:26
The enamel dials are my favorites !! Look forward to live shots. Thanks again, Gordon

Many thanks Oliver for that great report...

 
 By: Mike H : October 18th, 2014-08:08
At last that gave us a chance to see these LE that we were all waiting for since long. I can't say that I am crazy of all but they are certainly few of them that I would be delighted to get... Best, Mike

more info on the Marquetry dials ?

 
 By: Bruno.M1 : October 19th, 2014-00:34
To be honest, until a few months ago I never heard about marquetry dials before. First time was when I got that book they made for their 175th anniversary. A few pages in this book are about enamel, engraving and…. marquetry. How does this compare to for ...  

marquetry dials from Patek

 
 By: GLau : October 19th, 2014-08:56
Hi Bruno, Patek has previously created marquetry dials in year 2010 (Tiger), 2011 (Rabbit) and 2013 (Snake) within its Chinese zodiac series. Over 200 wood pieces of different types and colors are used in creating each dial. These are the pieces that I kn...  

thank you Gordon

 
 By: Bruno.M1 : October 19th, 2014-11:35
Thanks for the reply and your link strange bur somehow I completely missed these, I was not aware of the previous watches they made I'll take some time to learn a bit more about these and hope to see one in the flesh one day I can tell you that I would no... 

Gordon, count me in.

 
 By: small-luxury-world : October 19th, 2014-13:26
"Guess we would have to perform a side by side comparison test to prove his comment. This comparison will be a fun and worthwhile task !!" I would LOVE to participate, but I guess this is no suprise to you :-) Thanks for sharing your pictures and knowledg... 

Hi Oliver, the year of the rabbit was ...

 
 By: GLau : October 20th, 2014-09:59
3 February 2011 to 22 January 2012 So the information in Patek's book is only partly (a small part) right because the Year of the Rabbit began in 2011 and most of this zodiac resided in 2011 Perhaps the book was referring to when the watch was delivered W... 

I am surprised that you have been not aware of those ...

 
 By: small-luxury-world : October 19th, 2014-13:22
rare handcrafts watches. There have been always some on display at their Basel Fair booth, for example. You ask what comes next? Well, I bet we will only see pieces dedicated to outstanding (traditional) crafts from Geneva. Nothing more, nothing less. Som...